Very little, if any, of this track made it to the final cut of the film. I wrote this orchestration to complement my edit of Alessandra Celletti's "Salmo 55 (54): Porgi L'orecchio..." for the film, complete with the film's signature(-ish) pulsing string section. Check out Alessandra's album Chi mi darà le ali to hear the original in its entirety. It's track number four.
